“A Gathering of Fugitives” () and “Beyond Culture” (), Lionel Trilling has seen . “Sincerity and Authenticity” can read like a Commonplace Book, where According to Trilling “sincerity” was a new concept when. Lionel Trilling, Sincerity and Authenticity, Cambridge, MA: Harvard University Press, Chapter 1. Sincerity: Its Origin and Rise. 用以比較的中文翻譯:. Lionel Trilling, Sincerity and Authenticity, Cambridge, MA: Harvard University Press, Chapter 4. The Heroic, the Beautiful, the Authentic. 用以比較的中文 .

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Certain exemptions are made: Goodreads helps you keep track of books you want to read. All this is accompanied with an inward sense of melting and languor. The authentic work of art instructs us in our inauthenticity and adjures us to overcome it. Lewis’ “The Four Loves”.

Lionel Trilling, Sincerity and Authenticity, Ch. 1

History of Western Philosophy. Williams does not say so, ‘society’ itself is another such word. Yet in the end there is no failure of communication. Plain speaking became the order of the day. Lily rated it it was amazing Jan 11, Leavis in all seriousness distinguishes between those aspects of T. There is meat to this book, but it will best be of use to someone with an sincerityy familiarity with the classics of European literature and intellectual theory.

Sometimes the printed word is less satisfying than the spoken word because print cannot always communicate the tone of the speaker, the gestures, and other emotional elements. The impulse to write autobiography may be taken as virtually definitive of the psycholgocial changes to which the historians point.

Lionel Trilling, Sincerity and Authenticity, Ch. 4

And if you take it to have been a memory lapse, it looked more authentically snd than does the facile grasp of facts and slick command of words that the most polished politicians display. Want to Read Currently Reading Read. The word itself has lost most of its former high dignity.


Richard Peters and Valuing Authenticity.

Society requires of us that we present ourselves as being sincere, and the most efficacious way of satisfying this demand is to see to it that we really are sincere, that we actually are what we want our community to know we are. The audience likes or does not like, is pleased or not pleased–the faculty of ‘taste’ has re-established itself at the centre of the experience of art.

Alceste’s point of pride is his sincerity, his remorseless outspokenness on behalf of truth. We of the audience, however, are in less fortunate case.

Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R. Trilling argues that this is in fact a historical and cultural concept, not a timeless one: Nov 14, Richard Epstein rated it really liked it. Certainly the modern audience does not seem to regret having had to exchange indulgence and flattery for the exigencies of its new relation to art.

Aug 24, Andrew rated it really liked it.

Sincerity and Authenticity

Want to Read saving…. Trilling has exerted a wide influence upon literature and criticism: I don’t think Trilling tril,ing any particularly profound or original idea in his analysis of sincerity and authenticity – he writes too abstractly and lacks concreteness to his thought.

Trilling draws upon the disciplines of philosophy, literature and psychology in assessing the evolution of authenticity in society, relying heavily upon certain thinkers such as Rousseau, Hegel, Nietzsche and Freud. But it is worth considering whether it might not also have come about because the dissembling which defined the villain became less appropriate to new social circumstances than it had been to preceding ones.


I I chanced upon this book while waiting for a friend. All these years later, I still derive enormous pleasure from their thinking and writing, and the fact that I think and write at all owes a lot to what I learned from them. It is a truth and was written on the wall of Shakespeare’s theatre, the Globe, in a language older than English: Suffice it to say, I was exhilarated to read Trilling from a new perspective.

This is an opinion with which we are at present less in agreement than we might once have been; yet the poem still provokes resistance in us.

However, a few days ago, I thought I might indulge in a little preparatory distraction by re-reading Trilling, primarily so that I could enjoy his style and critical authority once more. Sign in Create an account. Excellent attack on the idea of authenticity. The self is “alienated” from itself. Triling it makes the significant modern qualification of the older primary truth–it proposes the infernal oucome of the modern social existence as Rousseau described and deplored it, in which the sentiment of individual being depends upon other people.

But it is just as possible to say that the germ of the heroic idea is to be found in the comic itself, that at the moment at which men think of themselves as funny they have connceived the idea of their dignity.

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