Get this from a library! Kreuzspiel.. [Karlheinz Stockhausen]. Analysis and appreciation of KREUZSPIEL (Cross-play) and SCHLAGTRIO And finally, revising the score during rehearsals or after initial performances. Kreuzspiel (English: Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in It is assigned.

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A microphone on a low stand is placed half left beneath the piano to amplify the lower register, and a contact microphone and possibly in addition a second, normal microphone beneath the piano to the right to amplify the higher register — particularly the top octave.

Huber Alden Jenks David C. Before the audience enters the auditorium, the piece should be played through once completely. Drinking Hanging Out In Love. Even though these works are basically part of the “avant-garde” classical movement of the post-war era an era normally known for it’s dry and impenetrable stylethey are surprisingly accessible. HathiTrust Digital Library, Limited view search only. Please select Ok if you would like to proceed with this request anyway.

Romantic Kreuzspiiel Sex All Themes. Share on facebook twitter tumblr. You may send this item to up to five recipients. In the first stage, six notes begin in the highest register, and six others begin in the lowest register. Document, Internet resource Document Scor Articles containing explicitly cited English-language text. The numbers indicate the general historical order of the works. Please enter recipient e-mail address es. The loudspeakers should not be tipped downwards.


Please create a new list with a new name; move some items to a new or existing list; or delete some items. Compositional control of these shapes is determined in the first stage through the parameter of duration, while in the second stage the dominant element is pitch Kohl Scroe 5th loudspeaker may be hung in the middle high above the instruments.

It is important that the height of the tom-toms is correct in relation to the percussionists’ hands; it may be necessary for the percussionists’ podia to be different in height, so that the rims of the tom-toms are at the same level as the upper edge of the piano case while, at the same time, being at the right height for the rim-shots to be played. For the sound projection, 2 x 2 loudspeakers are needed. Further Remarks SinceStockhausen used so-called bourgarabou drums instead of tumbas or congas.


Kreuzspiel has been analysed in print more often than any other work by Stockhausen, though all but one Borio and Garda restrict themselves to just the first of its three stages. Depending on the stage situation, the rims of the drums may be positioned 20 to 30 cm higher than the upper edge of the piano case, so that the bourgarabou drums may be seen better by the audience.

Linked Data More info about Linked Data. Scores and parts Additional Physical Format: The oboe and bassclarinet are set in the panorama where they are seated oboe at the half-left, bass clarinet at the half-right. Cancel Forgot your password? The high and low notes gradually spread from the piano parts to the bass clarinet and oboe the bass clarinet enters at bar 28, oboe at bar At bar 78, the 2 timpani players have a duet.

The percussion is more syncopated and dominated by rolled tom-tom attacks, and the tempo is faster again same as Stage 1. Herbstmusik Oben und Unten Originale.

Stockhausen: Sounds in Space: KREUZSPIEL, SCHLAGTRIO

The sound should come from where the instruments are seated — as assessed from all seats in kreuzwpiel hall. You may have already requested this item.

The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.

Citations are based on reference standards. There is no explicit playing instruction for cases when short notes such as sixtheenth notes, sixteenth-note triples stopped beats: The cymbal players should constantly vary the place they strike the cymbals between the edge and the centre of the cymbal. In this scene from “Musical Forming”,Stockhausen describes how each one of the 12 starting pitches starts at an extremely high or low point in this case highoscillates up and down moving towards the middle register and then back outwardsand finally ends up in the opposite register in this case low.


Stockhausen regarded Kreuzspiel as his first original composition, as opposed to the style-imitation exercises he did as part of his music studies Stockhausen34, Retrieved from ” https: To set the levels, it is recommended that the musicians repeatedly play the first movement starting at bar 28 while the conductor checks the setting of the loudspeakers from the hall. The highest octave should be played one degree louder than notated.

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Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists

Please enter the message. Stockhausen Complete Edition on CD Sincea complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. The amplification should be adjusted so that all the instruments can be heard equally well even in pianissimo passages, when the drums are kreuspiel and and so that the highest and lowest notes on the piano sound equally loud.

Advanced Search Find a Library. The pianist should play calmly with little bodily movement. Sincea complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs.

Rainy Day Relaxation Road Trip. No Linguistic Scode View all editions and formats Rating: Isolated high and low piano notes bracket soft middle register chords built from the pitch series.

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Karlheinz Stockhausen: Kreuzspiel

In the CD booklet, Stockhausen describes the concept of 2 “principles” coming together and creating a new, 3rd entity after which they then “return to a situation which is beyond the physically representable”.

The indications for the right pedal should call forth a resonance in the piano with the tom-tom beats. The E-mail Address es you entered is are not in a valid format.