Lyrics to ‘Jazz Pizzicato’ by Leroy Anderson. You better watch out, I’m tellin’ you why / Just when you least expect it, just when you feel at ease / That’s when you. Watch the video for Jazz Pizzicato from Leroy Anderson’s Anderson, L.: Orchestral Favourites for free, and see the artwork, lyrics and similar artists.

Author: Meztilkree Meztibei
Country: Cuba
Language: English (Spanish)
Genre: Career
Published (Last): 14 July 2014
Pages: 494
PDF File Size: 9.66 Mb
ePub File Size: 17.89 Mb
ISBN: 294-6-57124-480-9
Downloads: 67605
Price: Free* [*Free Regsitration Required]
Uploader: Gaktilar

Music at Harvard, New York: James Last And His Orchestra. Leryo Collector’s Edition, Vol. Sexy Trippy All Moods. Romantic Evening Sex All Themes. Lyrics powered by www.

Leroy Anderson Square dedicated”. Introspection Late Night Partying. From Wikipedia, the free encyclopedia. As its title suggests, this work features purely pizzicato writing within a jazz idiom.

Anderson never wrote another musical, preferring instead to continue writing orchestral miniatures. Jazz at the Philharmonic. Anderson wrote his Piano Concerto in C in but withdrew it, feeling that it had weak spots. You better watch out, I’m tellin’ you why Just when you least expect it, just when you feel at ease That’s when you get selected That’s when they’ll come you’ll see So many stray transmissions There’s nothing you can do So many liquid rhythms They’d fill a swimming pool Beamed from the highest mountain Nowhere left for you to go They’ll take you even higher Then you’ve ever been before But there’s no need to worry First you’ll dip into a dream And in your mind it’s coming Like so many bright ideas It’s all about to happen It’s way beyond fantastic It’s useless to resist it When you’re finally hit with Pink jazz trancers Jazz trance for you Wait just for a minute Lay down here next to me Jazz trance for you No need for you to hurry Turn on the cable TV Jazz trance for you Let’s close our eyes together Now can you see how good it’s going to be?


Retrieved from ” https: Share on facebook twitter tumblr. Symphonic Pops by Leroy Anderson. Anderson started the work during a heat wave in August Belle Of The Ball. The following is a selected discography of original recordings by Leroy Anderson.

John Williams described him as “one of the great American masters of light orchestral music. Even though it earned two Tony awards, Goldilocks did not achieve commercial success. Yet Anderson ‘s take on jazz was a humorous one — whether in pizzicato or legato styles — eschewing the bluesy sensuality one often hears in Gershwin and other composers associated with the idiom during that time.

He was posthumously inducted into the Songwriters Hall of Fame in and his music continues to be a staple of “pops” orchestra repertoire. By using this site, you agree to the Terms of Use and Privacy Policy.

Born in Cambridge, Massachusettsto Swedish parents, Anderson was given his first piano lessons by his mother, who was a church organist. His duties did not, however, prevent him from composing, and in he wrote ” The Syncopated Clock ” [7] and “Promenade.

Leroy Anderson, “Jazz Pizzicato” 31, views. InAnderson died of cancer in Woodbury, Connecticut [3] [9] and was buried there. Show More Show Less. Billboard Year-End number one singles — At the time he was working as organist and choir andrson at the East Milton Congregational Churchleading the Harvard University Bandand conducting and arranging for dance bands around Boston. In the middle section, the music is a bit livelier and features some development of the material.


Jazz Pizzicato, for string… | Details | AllMusic

For other people named Leroy Anderson, see Leroy Anderson disambiguation. The main theme prances along playfully, as strings pluck their rhythmic music with infectious swagger.

AllMusic Featured Composition Noteworthy. AllMusic relies heavily on JavaScript.

Leroy Anderson

Please enable JavaScript in your browser to use the site fully. In his arrangements came to the attention of Arthur Fiedlerwho asked to see any original compositions that he could use in his concerts as the 18th conductor of the Boston Pops Orchestra at Symphony Hall.

Counter Intelligence Corps as a translator and pizzidato [4] in he was reassigned to the Pentagon as Chief of the Scandinavian Desk of Military Intelligence.

The combined recording went on to become one of Anderson’s signature compositions. In the outer sections, a sort of jazzy cackle punctuates the close of each statement of the theme.