GINASTERA CANCIONES POPULARES ARGENTINAS PDF

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Alberto Ginastera. Cinco canciones populares argentinas (5 Popular Argentinian Songs), for voice and piano, Op. Composition Information ↓; Description. Ginastera, Alberto. Cinco canciones populares argentinas. Five Argentine Folk Songs op. 10 (). Voice and piano. Duration: 9′. Territory. This work is. Cinco canciones populares argentinas. Word count: Song Cycle by Alberto Ginastera ( – ). Show the texts alone (bare mode).

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The melody combines diatonic and pentatonic elements, characteristic of Incan pentatonic scales, with the reiterated tone G and its embellishing quartal grace notes in the introduction serving to establish “the pentatonic flavor of the succeeding melody” Wallace, Art songs of Latin America. Zamba With no relation to the Brazilian sambathe Argentine zamba is a graceful eighteenth century scarf dance of Peruvian origin.

The setting of such folk songs and folk poetry was not, of course, without precedent: Gato Historical background [ edit ] In Argentinathe militant revolutionary activity of the late s and early s solidified the power of politicians who, according to Aaron Coplandplaced musical policy entirely in the hands of “a small group of conservative musicians” Aaron Copland, “The Composers of South America,” Modern Music vol. Please enable JavaScript in your browser to use the site fully.

In this case, it is a nostalgic song of unrequited love. The Latin American chacona had both instrumental and vocal accompaniment. Zamba [ sung text checked 1 time ] Language: In some passages “there is considerable use of extended tertian and polytonal arpeggiation underneath the melodic line” Wallace, Ediciones Culturales Argentinas, The playful rhythms of the chacarera, from which the first song takes its name, complement the lighthearted nature of the opening text: From Wikipedia, the free encyclopedia.

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Triste While “triste” translated literally means “sad” or “sorrowful,” the title of this song is not an adjective but rather, like the rest of the opus 10 songs, an indication of the song or dance type: It was disseminated as the triste by the payadores in the pampa during the nineteenth century, and, though lacking a set form, is characterized by a slow guitar introduction, melodia- recitativo with sparse accompaniment Diccionario de la Musica Labored.

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By using this site, you agree to the Terms of Use and Privacy Policy. The five songs are as follows:. Tanto quiero a las chicas, Digo, como a las grandes. Songs from Latin America.

Cinco canciones populares… | Details | AllMusic

Triste [ sung text checked 1 time ] Language: There may be a link between the chacarera and the chaconnewhich is described in The New Oxford Companion to Music as follows: Submitted cancioones Ted Perry 2. Cacniones all the material on this website is in the public domain.

The form is based on the choreography of the six-part dance for one or two split couples: In “Triste,” Ginastera adds to these characteristics a sense of improvisational abandon, accentuating the hopelessness in this traditional text.

Harp Concerto Piano Concerto Cancoines. The vocal part is based in a repeated four-bar theme, with guitar introduction and postlude. Don Rodrigo Bomarzo Beatrix Cenci The ancestry of the rhythms is even more obscured here; further, the odd modality and chromaticism of the accompaniment provide the traditional lullaby melody with an intriguing flavor. The form is based on the choreography of the six-part dance for one or two split couples:.

I like the pug-nosed girls, and one has smitten me. Consequently, if “Triste” is to be performed in transpositionthe performers must consider the specific sonority of the E-A-D-G-B-E chord and whether it too should be transposed or left as written.

In Argentinathe militant revolutionary activity of the late s and early s solidified the cancionea of politicians who, according to Aaron Coplandplaced ginastdra policy entirely in the hands of “a small group of conservative musicians” Aaron Copland, “The Composers of South America,” Modern Music vol. The five songs of Ginastera’s opus 10 [ edit ] 1.

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Cinco canciones populares argentinas – Wikipedia

Authorship from Volkslieder Folksongs [ author’s text not yet checked against a primary source ]. Esa moza que baila Mucho la quiero Pero no para hermana Que hermana tengo. Both the vocal melody and the accompaniment are in C majorbut Ginastera “adds dissonance and dislocates tones horizontally to lend a polytonal aura to the background, [and] in the instrumental interludes between vocal stanzas, there is a frank espousal of bitonalitysimilar to sections of the earlier Danzas Argentinas ” Wallace, The playful rhythms of the chacarera, from which the first song takes its name, complement the lighthearted nature of the opening text:.

In these songs, Ginastera draws from the Argentine cancionero popularwhich catalogues the traditional ginadtera and dances of each province and is used, in turn, to teach these to school children. In the wake of the milonga and its more famous urban descendant, the tangoit fell out of favor in the zones near Buenos Airesbut found new vitality in the northern Argentine provinces and Bolivia.

For more information, argfntinas us at the following address: The five songs are as follows: Compositions by Alberto Ginastera compositions Classical song cycles. Submitted by Ted Perry Gentle Reminder. Complete Music for Cello and Piano. Some composers used the same melody throughout the piece, repeating it in the manner of a ground bass.

Cinco canciones populares argentinas are a set of five songs for voice and pianocomprising both entirely new compositions as well as new settings of argebtinas melodieswritten in by Argentine composer Alberto Ginastera as his opus